Archive for the ‘Don't Blame it on the Wolf’ category

Merry Christmas !

December 1st, 2011

As the term draws to an end and nativities, murder mysteries and musical mayhem takes over, I would like to wish all our readers and clients a very happy Christmas and thank them for their support over what has been for many a year of tightened belts.

As the Eurozone teeters and the Arts & Education budgets dwindle we know that there is a storm to ride through.  As artists and educators, writers and communicators we are used to adapting our work and skills to both survive and thrive; such will be the coming year or two.  There is a saying ‘what does not kill us makes us stronger’, well I am not sure I completely agree with that sentiment but it will give us new experiences which will make us more rounded and able to function and contribute meaningfully  in an altered world.

So to you and those you care about I wish health and sustenance both at this  festive time and into 2012.

Best wishes and blessings

Gillian Twaite (Artistic Director)

Happy New Year to you all

January 2nd, 2010

Well this is my first message in the new decade  and I am optimistic for the future. 2010 will hopefully produce Don’t Blame it on the Wolf  - The Tour in the Autumn/Winter and there are many other fingers in creative pies to explore.

Wishing you all a healthy, productive year.

Gillian (Artistic Director)

Interesting times

November 20th, 2009

November has been an interesting month for the company; we have seen the best of  people’s integrity and unfortunately the shadier side of  business. The most shocking part of this is that we have been ripped off by another drama education company; I think I have been naive (or perhaps just lucky) to think that Arts people (especially those who work in community settings) are trustworthy and fair minded.  My interactions with so many different people during the Wolf were wholly positive and the Midlands has a good community of artists and companies who support each other and have an ethical code of conduct.

Thankfully my recent experience is with a company not based in the Midlands (although they are looking to corner the market in their specific area as they open franchises across the country). 

The positives from this whole sorry affair have been the unanimous support of other arts practitioners and business people and the absolute integrity of the other drama specialist who has been put in an invidious position by this company.

We at Open Stage Productions has learned this month that there are Jelly fish just under the surface of the water….The Jelly Fish have yet to learn that once they sting a few swimmers the rest of the potential swimmers find another beach.

Post show reflections

October 18th, 2009

Hello – and welcome to the website of a successful production of ‘Don’t Blame it on the Wolf”.  We researched and developed this piece even up to the day of the first performance and after this initial production we are all unanimous in the feeling that this show has huge potential to develop further.  We will go back and look at act one again and tighten a few things up but  as a family show it stands up.

We had some really helpful feedback both verbally and written.  I haven’t read the written forms yet but from the verbal feedback we would take off the  6+ age guidance as our morning show had lots of children aged 3-5 who loved it and were focused throughout. In fact they were listening so much that when the Humpties were mentioned one lone voice was heard reciting the whole rhyme in the audience!  The video sections work really well (the children particularly were drawn in by them – its a cultural thing – 21st century children respond to new media and deconstruct it in a way we as adults don’t).

The songs, the musicality of the performers, the suspense of the story with a twist,  the masks and the set were all highlights for the show.

We had good audiences – 60  children for the open dress rehearsal, 75 for the premiere (schools performance)  approx 50 for the morning performance and about 120 for the afternoon show.

Today is a day of rest for all before Ash and I go to Allens Croft Primary to do a follow up workshop tomorrow.

And the day has arrived – the premiere of ‘Don’t Blame it on the Wolf’

October 16th, 2009

What a week – what a day, what a day to come! Firstly apologies for the lack of photos in the past few posts –  need to find time to download some.

This week we have been at the Birmingham Repp in Rehearsal Room 1, which has been a fantastic space to be in.  Today we had to move the set from the rehearsal room (which is on the 3rd floor with no lift) down to Liam’s van and then across the 250 yards to the Library Theatre. We started at 8.15 by 11.30 am we had go it reassembled and were talking about gels in lights.  Meanwhile Alison and Jodie were out shopping fr new costumes and props – and what a great job they did.

We broke for an early lunch and I took the programme to the printers.

The afternoon was spent deciding on light states and plotting them before doing a cue to cue run of the lights.

Then at 7.30 we had a selected  audience including Sheldon who took photos for us for our future publicity to see our first dress run. This went very very well and with a few alterations  we are ready for the performance in the morning.

Now its very late so – night all!

6 days to go …..

October 11th, 2009

There are a lot of tired limbs at Wolf Central.  Yesterday our magnificent team lugged the not insubstantial setup three flights of stairs at 8.30 in the morning to the REP rehearsal room which has become our home for the next 4 days.  This was at the end of an intensive week of rehearsals which had ended with a few of us supporting local theatre company Friction Theatre’s production of Mother Courage at the Old Rep.

The show was very good although there was a moment in the middle which we might have confused both the audience and the actors who were speaking directly to us  at the time where we all sat bolt upright and looked at each other and laughed. The line? “By Hook or by Crook” ! (I didn’t realise I had been quoting Brecht, when I named the show).

Our first week worked very well as a rehearsal model. We would like to take the accolade of being extremely canny, but it was circumstance (and the lack of a room where we could play our instruments for 2 days that propelled us into this way of working. We spent the first day mostly working on the  songs and musical arrangements (together with filming sections see earlier post). this was followed by a longer day (10 – 7) where we pulled the script apart and did detailed work on each section up to scene 8. Day 3 we continued with script work and consolidated our knowledge. This included a run in the afternoon to Sharon our Project Manager.  Then on day 4 Gerard worked all morning on the script (whilst I visited our set making team in Wednesbury) and I worked in the afternoon with the cast, on specific sections of text which needed more development.  On Friday we brought the  music and script elements together and found that we had come on by leaps and bounds and were able to look at technicalities of how we could get a particular performer to their instrument to play at a particular time etc.   At the end of the week we were all very happy where we were and to quote on of the actor  ” It’s all going so well and I feel on top of it. Its never usually like this, I am a bit worried that i am not stressed yet”.

This is something that Gerard and I echoed at the end of yesterday; we expected for there to be stressful times and there really haven’t been. Yes we have all worked extremely hard and we have had obstacles to overcome but the ethos and commitment of everyone involved has been unparalled. Everyone is giving of their best and putting in more than expected of them to make this a success. Gerard and I don’t take this lightly; no one is getting paid very much but everyone is completely professional, supportive and dedicated. Andy the set designer cycled in on his Saturday morning to help Liam construct the set; all the actors have gone home at the end of a long intensive day and worked some more so that they can take it further the next day; they also stayed behind at the end of a very long day yesterday and composed a new Pirate song fr Abi and LJ.  Liam who only needed to come in this week has given hours and hours of his time over the past few weeks to ensure that the technical side of the production (which is by no means small) is working as well as it can be.   Stuart (the film maker) was up until gone midnight on Friday night  finalising a disc so that we could work with it yesterday.  Both of our Interns Jodie and Alison have put in hours of work for no payment and have become very much a part of the creative team. This coming week as we add in the movable set, costumes, masks and  props  will be full on and I am sure will have the odd hiccup but the positivity emanating from every corner of the room will help us through.

On another note, I must just mention the support of the theatre and civic community both large and small in Birmingham, who have been extremely generous with both their time and space; making life easy for us and allowing us a huge amount of support in kind: Birmingham Rep, The Wine Republic, Birmingham Hippodrome and Dance Exchange, Birmingham Library Theatre, Birmingham City Council, Birmingham Box Office, West Midlands Police to name a few. Birmingham Equity and Midpoint have publicised the show by email as well and there are individuals within  Education who have also had belief in us and promoted the show too (which has resulted in a current schools audience of 60 for the dress and 104 for the premiere on Friday Afternoon. Tickets are still available to please book, it would be great to have a full house).

Today is a day of well earned rest for the team. We have a few things to do (programme details and a final script) but we are all conserving our energies for production week.  None of us are running the half marathon which is happening in Brum today – but to Debs, Juliet, Rob, Sarah and all those who are ….. we are with you in spirit!

Pre Production Week

October 6th, 2009

PA050313We have had our first two days rehearsals  and I am pleased to say that it is going really well. Our first day involved lots of bits and pieces – Sheldon came and took the image for Abi’s Autobiography cover and Stuart came and filmed the final clip we need: ‘Strictly Come Storyland’  (with the help of Gathen who is a great dancer ) .

Today we have been doing some detailed work on the script and have come to the conclusion that we will probably put an interval in. The script is developing nicely into a performance and although it was a long day we made really good progress (and even had time to play a couple of games of pool during our break!)

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Filming at the Council House

October 3rd, 2009

Last night was memorable for a number of reasons. Firstly we were very fortunate to have such a magnificent back drop for our shoot both inside and out.  We shot the wolf protestors for an earlier clip which went without a hitch (unless you count the rather long halt in the proceedings when the street cleaning vehicle came along).PA020304

Pyn brought Shirley Sheep to join us and she had her first role (worn by Rachel, who had to be guided in and out by the others) – telling the world that ‘Agatha is innocent!’PA020306

We then started filming in doors. The costumes looked  great (especially Abi’s Dress) and we were delighted to be joined by Deborah Tracey a great new actress who is destined for great things.  She took my script by the collar and made it her own; using a Ruby Wax-esque character to interview the celebrities.  All was going well until one of our performers was taken very ill and an ambulance had to be called. We are pleased to report that she has made a full recovery and we got enough to make a version of the scene that we wanted.

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(Photos:  Protestors: Glen Hannah, Rachel Childs, Fiona Allison.   Inside  on stairs:  Deborah Tracey, Fiona Allison, Salmaan Ahmed, Laura Edghill)

This weekend its tidying up the lose edges and ensuring as many schools and groups  as we could think of have been contacted .  Then its into rehearsals at full pelt.

1st October – countdown to production fortnight

October 1st, 2009

Well production fortnight is almost upon us  and things are running to plan (am saying that with fingers crossed!) We have a new ASM, Zak, who we would like to welcome to the team , (thanks to Mark Presdee for recommending) . Andy, Liam and Alison are working hard on the set, over in Wednesbury and I have found the shimmery backdrop  at a good price.   The masks are almost finished and will be ready for the shoots on Friday and Monday; Jodie has had her first fitting session with the actors (Laura and Ash) and the costumes are looking great. She will be with us on our evening shoot at the Council House on Friday along with Fiona, Salmaan, Glen, Pearl &  Lewis, our wonderful film actors, who have kindly given their time.  We are still trying to pin down our celebrity interviewer , some protestors and a group of crying girls for Georgie Porgy – anyone interested please get in touch with us here at Wolf Central!

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This week I have typed up the Visual (AV) cue sheet and the props/stage dressing list which have been distributed to the relevant people. Today I have a list of 30 things to do which I am about to start – its a bit like having lots of things on the stove and its about checking which needs too be looked after next but not leaving anything too long  so it boils dry.

Book Tickets – Book Tickets! Tell your friends!

Production details confirmed

September 25th, 2009

This week has been busy, not least because I have been back working on my other projects. I have been back at the lovely Devonshire Infants School. Its such a happy place to work; both the staff and the children make me very welcome and our storytelling sessions have been going well. I have been introduced to ‘Have a go Joe”  and his potions and I think I have borrowed a few for the next few weeks at Wolf Central. (namely : Perserverance, Collaboration, managing distractions and noticing.)

At Wolf Central it has been full steam ahead – or 2 steps forward 1 step back.  We have as of tonight got our rehearsal space sorted, out final filming date booked in (thanks to Paul Ellis for this), we have aquired 4 chairs and are borrowing a red carpet; the costumes are coming along and a couple of schools have booked the show. We don’t have understudies (nobody turned up for the auditions), our ASM has had to pull out and we don’t have many seats sold for Saturday morning.

But still a good place to be at this point. I am looking forward to spending a couple of quality hours on the script tomorrow without distractions and Alison is looking forward to getting painting mid week.

have a good weekend!